The Boljuni stećci have many features in common
with those of eastern Herzegovina, and in particular with
those from the Stolac and Čapljina areas – Radimlja, Opličići and Nekuka. They
are aligned in rows and invariably face west/east or with minor deviations
therefrom.
Following the customary classification of basic
stećak forms, the necropolis consists of the following stećci: 82 slabs, 176
chests, 12 ridged, and four cruciform. A total of 29 stećci are
decorated: 29 slabs, 57 chests and 6 ridged. This makes Boljuni one of the most
highly decorated necropolises in BiH. Its artistic features make it one
of the most valuable and important necropolises as a whole.
Among the most frequent relief motifs are twining vine leaves as a border on
the horizontal faces or a frieze on the vertical faces of the chest-shaped
stećci. This is a typical Herzegovinian motif, but occurs in relatively
large numbers here. Shields with swords and rosettes are also
common, occurring in several forms: as heraldic symbols on shields, combined
with a half moon, or alone. They also occur as stylized rosettes with
twisted encircling garlands, or as the rose-cross. Next most common are
ribbons, various borders, crosses (ordinary or stylized), half moons, fleur de
lis, stylized floral motifs with spirals and bunches of grapes, arcades, and
swords. There are also numerous representations and compositions with
figures: deer-hunting scenes, tournaments and kolos, fantastic animals, and figures
of lions and horsemen.
Motifs original to Boljuni are the lion, a woman with a child in her arms,
stylized rosettes, fantastic lizard-like animals and a kolo with the leader
riding a deer.
In the number of its epitaphs, nineteen in all, Boljuni provides important
historical data and information on the cultural history of Bosnia and Herzegovina. The epitaphs
give the names of the people buried there: Bogavac Tarah Boljunović shepherd,
died before 1477; Radić Vladisalić; Herak and Radoslav Heraković at rest “on
their noble birth”; Petar Vukić and his brother, and others. There is
historical evidence for some of these people. In short, members of the
Boljuni Vladisalić group, who belonged to the Donji Vlasi or Lower Vlachs, are buried
there. Several of the stećci are signed by master-craftsman Grubač, who
is recognizable by his artistic style and motifs; scribe Semorad and others
(master-craftsmen Milić, Zelija and Dragiša and two scribes, Radoje and Vuk).
Boljuni is believed to have been an important artistic stonemasonry center.
Although there is no precise data to this effect, the number of tombstones
indicates that burials took place here from the second half of the fourteenth
to the early sixteenth century.
There were formerly two quarries near the necropolis, one 200 m to the
northwest and one 200 m to the east, where the stones were probably quarried to
make these stećci.
The Neveš well is 20 m from the necropolis; the locals call it the Greek
well. It is circular in shape, with a diameter of 12 m. Round wells
are to be found in the Stolac and Hrasno region, and were all still in use in
1960. Their date in this area is unknown.